Depiction of a Woman in Art Over the Years

Women have been integral to the world of art for centuries. As innovators in artistic expression and the source of inspiration, it makes ane wonder why despite outnumbering men at art school, remain underrepresented in the industry.

The numbers don't lie. In 2016, co-ordinate to the Universities and Colleges Admissions Services, 63% of undergraduates studying creative arts and design were female person. Withal, only 29% of the artists represented by London'due south prominent galleries were women. In 2014, a mere 7% of the artists on view in the Museum of Modern Arts collection galleries were female. And in 2013, only 24% of museum directors were women; making 71 cents for every dollar that their male person counterparts made despite these galleries' $15 1000000 budgets. It should besides be mentioned that in 2013, not a single artist in the top 100 auction sales was female person.

Why are women in art underrepresented and misinterpreted?

Guerrilla Girls, [no title], 1985-ninety, screenprint on newspaper (Tate) | Image source: khanacademy.org

Female Marginality and Invisibility

Peradventure it has to do with the fact that society still segregates women from men past referring to them as "female artists." The divide is created when art created is categorized by gender. Why tin can't an artist only be an artist? Or maybe it's because piffling has been done to address the gender imbalance in female representation in the press, galleries, permanent drove, and museum exhibitions.

Generally, the sad truth is that the belief that women are inferior artists nonetheless exists in the minds of many who brand the major decisions. Could Hans Hoffman'southward "This is so good you lot wouldn't know it was done by a women" sentiment on a painting past mid-20th-century painter Lee Krasner, all the same be the same type of attitude that many influential men in the art world have towards artwork they notice was created past a female creative person?

Author Fran Lebowitz in front of Lee Krasner's painting in Krasner solo exhibition at Paul Kasmin Gallery in NYC | Image source: purple diary

Shifting Landscape

Still, as the conversation revolving the underrepresentation and misinterpretation of women in art continues, there are many who are determined to change the narrative and put a spotlight on female person artists.

The Minneapolis Found of Fine art and Denver Art Museum would spark the improvement of women-only group shows which according to the New York Times "brutal out of favor in the 1980's and '90's," and the unknown female artists of the mid-twentieth-century art movemen t. Galleries and museums accept started to feature women-themes exhibits as they try to resuscitate the careers of neglected artists.

The DKNY fashion house would approach The New Museum in New York to underwrite 2016 spring flavour which was devoted to five solo exhibition by female artists entitled "The New Women's Project ." And according to The Freeland Foundation report, representation in the Turner Prize has improved to 44% over the last ten years with 31-yr old Helen Marten winning the award in 2016. In add-on, 2017 British Pavilion in Venice Biennale has been garnered by 73-year-erstwhile Phyllida Barlow's powerful installation "Folly," a long time neglected and under assumed British artist with no gallery representation until this year.

In this video, 'Girls' actress Jemima Kirke addresses the topic of women in art (or the lack them). She looks at the changing role of female artists in a male dominated art globe over the centuries – and how some of them somewhen took on the establishment in the 1970s.

Playing Grab-upward and Irresolute Context

It seems that at that place have been some improvements despite women outnumbering men in art school and the fact that they remain under-represented in all of the metrics that measure career accomplishment. B y changing the context, women tin can take back the power and permit their stories to exist told on their terms.

In fact, many female artists don't heed being labeled as "women artists" at all, arguing that the separation may really help rather than hurt. Such is the case with 122-year-former non-profit New York gallery, Pen and Brush , who concluded that "showing work by women exclusively is a fashion to go right at the heart of the stereotype that in that location's simply non enough good work by women. People come up into our gallery where there is no obvious indication that all the work is by women. They read the information cards. They're surprised. They purchase."

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Source: https://www.artdex.com/women-representation-art-changing/

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